The World Heard

The World Heard

Reflections on the ontology of film music.

Reflections on the ontology of film music. 

The World Heard

Reflections on the ontology of film music.

MiMP EBook

EBook Materials

Chapter 1: Melody

Figure 1.1: Melody from Max Steiner’s score to Gone With the Wind
Figure 1.2 Phrases and motives circled from Tara’s Theme.
Figure 1.3: Elfman’s two-phrase melody for Batman

Chapter 2: Rhythm

Chapter 2: Identifying the groups of beats in music: This Little Light of Mine
Chapter 2: Marking the recurring beat in music and the rhythm of the melody: This Little Light of Mine

Chapter 4: Mini-lesson Introduction

Chapter 4: Mini-lesson on Harmony and Film Music

Chapter 5: Orchestration in Film Music

Chapter 5: Introduction to Orchestration mini-lesson
Chapter 5: Hedwig’s Theme: Orchestration Listening Example 1
Chapter 5: Lawrence of Arabia: Orchestration Listening Example 2
Chapter 5: Crouching Tiger Hidden Dragon: Orchestration Listening Example 3
Chapter 5: The Avengers: Orchestration Listening Example 4
Chapter 5: Witness Orchestration Analysis

Chapter 6: Affects of Film Music

Chapter 6: Sword Duel (Audio Only)

Chapter 7

Chapter 8

Figure 8.8: The Tramp leitmotif
Figure 8.9: La Violetera, melody by Jose Padilla used by Charlie Chaplin to represent the Flower Girl
Figure 8.10: The melody associated with the Flower Girl’s home.
Figure 8.11 The melody Violin Caprice provides insight into the lighter side of the Flower Girl.

Chapter 9

Figure 9.6a: Max Steiner’s theme for Gerlad O’Hara, Scarlett’s father in Gone With the Wind
Figure 9.6b: Max Steiner’s theme for Melanie in Gone With the Wind
Figure 9.6c: Max Steiner’s theme for Rhett and Scarlett in Gone With the Wind
Figure 9.6d: Max Steiner’s theme for Rhett in Gone With the Wind
Figure 9.6e: Max Steiner’s theme for Mammy in Gone With the Wind
Figure 9.6f: Max Steiner’s theme for the plantation called Tara in Gone With the Wind
Figure 9.7a: Steiner’s theme for the German occupiers in Casablanca
Figure 9.7b: The patriotic theme Marseillaise used by Steiner in Casablanca
Figure 9.7c: The leitmotif for Bogart’s character Lazlo in Casablanca
Figure 9.7d: Steiner’s famous pop/jazz song As Time Goes By, written as one of the principal musical themes in Casablanca
Figure 9.8a: Steiner’s leitmotif in King Kong referred to as Beauty Terrorized
Figure 9.8b: Steiner’s leitmotif in King Kong for Kong
Figure 9.8c: Steiner’s leitmotif for Ann in King Kong
Figure 9.8d: Steiner’s leitmotif referred to as Courage in King Kong

Chapter 10

The leitmotives of Erich Korngold used in the film The Adventures of Robin Hood.

Chapter 11

Chapter 12

Figure 12. 7: David Raksin’s main musical theme to Laura

Chapter 13

Figure 13. 3: Tiomkin’s leitmotif’s for the score to High Noon

Chapter 14

Figure 14.3 The atonal title theme to The Man With a Cloak by David Raksin
Bernstein’s Main Waterfront Theme for On the Waterfront
Bernstein’s Violence/Joey Theme for On the Waterfront
Bernstein’s Love Theme for On the Waterfront