The Musical Telos of Dunbar
This post looks at John Berry’s film score through a teleological lens and discusses how the music reveals the telos of Dunbar prior to the character realizing it in the course of the narrative.
This post looks at John Berry’s film score through a teleological lens and discusses how the music reveals the telos of Dunbar prior to the character realizing it in the course of the narrative.
This is a comparative analysis of Sir Gawain and the Green Knight as adapted for the silver screen by David Lowery (2021) and the original text of 14th century Alliterative Revival poetry.
A deep cut of musical materials in Daniel Hart’s Score to The Green Knight