Reflections on the ontology of film music.
Reflections on the ontology of film music.Â
This post looks at John Berry’s film score through a teleological lens and discusses how the music reveals the telos of Dunbar prior to the character realizing it in the course of the narrative.
The Musical Telos of Dunbar Read More »
This is a comparative analysis of Sir Gawain and the Green Knight as adapted for the silver screen by David Lowery (2021) and the original text of 14th century Alliterative Revival poetry.
Screenplay and Manuscript: Comparative Analysis of The Green Knight Read More »
A deep cut of musical materials in Daniel Hart’s Score to The Green Knight
The Green Knight: Film score review: A hero lost amidst beautiful music Read More »