MiMP EBook EBook Materials Chapter 1: Melody Figure 1.1: Melody from Max Steiner’s score to Gone With the Wind Figure 1.2 Phrases and motives circled from Tara’s Theme. Figure 1.3: Elfman’s two-phrase melody for Batman Chapter 2: Rhythm Chapter 2: Identifying the groups of beats in music: This Little Light of Mine Chapter 2: Marking the recurring beat in music and the rhythm of the melody: This Little Light of Mine Chapter 4: Mini-lesson Introduction Chapter 4: Mini-lesson on Harmony and Film Music Chapter 5: Orchestration in Film Music Chapter 5: Introduction to Orchestration mini-lesson Chapter 5: Hedwig’s Theme: Orchestration Listening Example 1 Chapter 5: Lawrence of Arabia: Orchestration Listening Example 2 Chapter 5: Crouching Tiger Hidden Dragon: Orchestration Listening Example 3 Chapter 5: The Avengers: Orchestration Listening Example 4 Chapter 5: Witness Orchestration Analysis Chapter 6: Affects of Film Music Chapter 6: Sword Duel (Audio Only) Chapter 7 Chapter 8 Figure 8.8: The Tramp leitmotif Figure 8.9: La Violetera, melody by Jose Padilla used by Charlie Chaplin to represent the Flower Girl Figure 8.10: The melody associated with the Flower Girl’s home. Figure 8.11 The melody Violin Caprice provides insight into the lighter side of the Flower Girl. Chapter 9 Figure 9.6a: Max Steiner’s theme for Gerlad O’Hara, Scarlett’s father in Gone With the Wind Figure 9.6b: Max Steiner’s theme for Melanie in Gone With the Wind Figure 9.6c: Max Steiner’s theme for Rhett and Scarlett in Gone With the Wind Figure 9.6d: Max Steiner’s theme for Rhett in Gone With the Wind Figure 9.6e: Max Steiner’s theme for Mammy in Gone With the Wind Figure 9.6f: Max Steiner’s theme for the plantation called Tara in Gone With the Wind Figure 9.7a: Steiner’s theme for the German occupiers in Casablanca Figure 9.7b: The patriotic theme Marseillaise used by Steiner in Casablanca Figure 9.7c: The leitmotif for Bogart’s character Lazlo in Casablanca Figure 9.7d: Steiner’s famous pop/jazz song As Time Goes By, written as one of the principal musical themes in Casablanca Figure 9.8a: Steiner’s leitmotif in King Kong referred to as Beauty Terrorized Figure 9.8b: Steiner’s leitmotif in King Kong for Kong Figure 9.8c: Steiner’s leitmotif for Ann in King Kong Figure 9.8d: Steiner’s leitmotif referred to as Courage in King Kong Chapter 10 The leitmotives of Erich Korngold used in the film The Adventures of Robin Hood. Chapter 11 Chapter 12 Figure 12. 7: David Raksin’s main musical theme to Laura Chapter 13 Figure 13. 3: Tiomkin’s leitmotif’s for the score to High Noon Chapter 14 Figure 14.3 The atonal title theme to The Man With a Cloak by David Raksin Bernstein’s Main Waterfront Theme for On the Waterfront Bernstein’s Violence/Joey Theme for On the Waterfront Bernstein’s Love Theme for On the Waterfront